Arnold Bennett’s plain words

For over two years I used Arnold Bennett’s self-help book Literary Taste to find out if, a century after the book’s publication, it was possible to create my own literary taste. The answer was a resounding yes. However, I became tired of reading old books and felt the need to bring myself up-to-date. I will now read the books reviewed by Arnold Bennett in the Evening Standard from 1926 to 1931 in his weekly column, Books and Persons. To bring a little personal perspective I will, where possible, draw on entries from his personal journals. This week, The Ruin by Edward Sackville-West. 

Edward Sackville-West Source: The National Portrait Gallery.

Arnold Bennett’s review of The Ruin by Edward Sackville-West appeared in the 25th of November edition of the Evening Standard (you can read a detailed review at the excellent Reading 1900-1950 site).  Under the heading Plain Words to Our Younger Novelists, he wrote:

He can sometimes produce emotional effects of beauty (also what is loosely termed ugliness) which she [the novelist Mary Borden, reviewed by Bennett in the same column] could not even begin to produce. I should say that he may one day count – though The Ruin is perhaps excessively jejune, and has many pages about nothing.

Book cover forThe Ruin. Source: amazon.com

Book cover forThe Ruin. Source: amazon.com

Bennett then commented:

I am very interested in young writers [Sackville-West was 25 and Bennett was 59] – and rather gloomy about them. Nor am I alone in my gloominess. I find, when conversation on the subject has grown frank and intimate, that the young themselves are gloomy about their writers. I know that the war killed about 50 per cent. of potential talents. But the other 50 per cent. promise too little, and have performed almost nothing so far.

This was still a post-war society (the war had ended 8 years before)  for whom the one million dead were not great-grandfathers but rather fathers, brothers, sisters, daughters, husbands and wives. When it came to literature, for every Siegfried Sassoon returned to his family how many Isaac Rosenbergs  had been left on the battlefield? Bennett, who had worked for Lord Beaverbrook in the War Propaganda Bureau,  was clearly concerned that the next literary renewal, which thirty years before had been embodied in the works of H.G.Wells or more recently in those of E.M.Forster, simply would not happen.

But to-day?…The elders and their immediate successors (such as E.M.Forster and D.H.Lawrence) can and do, when up to their form, knock the stuffing out of the boys and girls.

Plain words indeed for the younger novelists. As for me, I rather enjoyed the high drama of rural life where just about everyone would have benefited from getting out a little bit more.

Turning to his journals, we can see that Bennett was involved with the rehearsals for production of his novel Riceyman Steps (now there’s a novel that could “knock the stuffing out of the boys and girls”). On the 20th of November he wrote of his visit to the Ambassadors Theatre:

We rehearsed until 3.5 p.m. and then ate a good snack of chicken, tongue, and salad and admirable claret, in [leading actor] Leon M. Lion’s dressing room.

On the 25th of November Dorothy Bennett, his partner, returned from the first performance and he wrote:

She arrived home shortly before 6, with a very gloomy account of it…the audience was chilled and not at all responsive; in short, that the thing was a failure.

The play ran for six matinee performances before closing.

 

 

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